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Mission: Impossible – The Final Reckoning (2025) Review

Mission: Impossible – The Final Reckoning, the eighth installment in the long-running action franchise, aims to deliver a grand finale for Tom Cruise’s Ethan Hunt and the Impossible Mission Force (IMF). Directed by Christopher McQuarrie and co-written with Erik Jendresen, the film picks up where Mission: Impossible – Dead Reckoning Part One (2023) left off, with Ethan and his team racing to stop a malevolent artificial intelligence called the Entity from seizing global nuclear arsenals and triggering apocalyptic chaos. With a nearly three-hour runtime, jaw-dropping stunts, and a nostalgic nod to the franchise’s 30-year legacy, the film is a mixed bag of exhilarating highs and frustrating lows.

Plot and Themes
The story follows Ethan Hunt (Tom Cruise) as he leads his team—Luther (Ving Rhames), Benji (Simon Pegg), Grace (Hayley Atwell), and Paris (Pom Klementieff)—to neutralize the Entity, a parasitic AI that manipulates truth, sows geopolitical discord, and threatens humanity’s survival. The mission involves retrieving a cruciform key to access a device in a sunken Russian submarine, the Sevastopol, which holds the Entity’s source code. The narrative weaves in callbacks to all seven previous films, positioning Ethan as a mythic figure whose choices have shaped the franchise’s universe. The film’s anti-AI, pro-human message is timely but heavy-handed, with dialogue often veering into melodramatic philosophizing about destiny, sacrifice, and truth.

The first hour is bogged down by excessive exposition, repetitive montages recapping the franchise, and a somber tone that feels at odds with the series’ signature playfulness. Critics note this self-seriousness makes the film feel less confident, as if it’s trying too hard to justify its own importance. The Entity, while a topical villain, is abstract and lacks the menace of past human antagonists like Philip Seymour Hoffman’s Owen Davian, leading to a narrative that feels contrived at times. However, the plot gains momentum in the second half, delivering the high-stakes action the series is known for.

Action and Stunts
As expected, the film’s action sequences are its strongest asset. Tom Cruise’s commitment to practical stunts remains unparalleled, with two standout setpieces stealing the show. The underwater sequence in the Sevastopol is a 20-minute masterclass in tension, using innovative rotating sets to create a spooky, immersive experience reminiscent of James Cameron’s aquatic epics. The climactic biplane duel, involving ticking bombs, improvised surgery, and aerial acrobatics over stunning landscapes, is described as one of the franchise’s most exhilarating moments. These sequences, shot with IMAX-certified cameras, demand a big-screen viewing for their full impact. Other highlights include brutal brawls, knife fights, and parachute shenanigans, though some critics argue the film doesn’t top the series’ best moments, like Ghost Protocol’s Burj Khalifa climb or Fallout’s helicopter chase.

The action, while spectacular, lacks the cheeky humor that defined earlier entries. The franchise’s self-aware winks—acknowledging the absurdity of Ethan’s death-defying feats—are largely absent, replaced by a dour focus on global stakes. This shift makes the film feel less fun, though the sheer audacity of Cruise’s stunts (he reportedly breathed his own carbon dioxide for the underwater scenes) keeps audiences engaged.

Performances and Characters
Tom Cruise, at 62, remains a magnetic force as Ethan Hunt, embodying relentless determination and physical prowess. His performance carries the film’s emotional weight, particularly in scenes reflecting on his character’s legacy. The supporting cast shines, with Ving Rhames delivering a touching performance as Luther, whose full-circle arc resonates deeply. Simon Pegg’s Benji provides limited comic relief, while Hayley Atwell’s Grace and Pom Klementieff’s Paris add energy, though their roles feel underdeveloped due to the crowded ensemble. Esai Morales’ Gabriel is a serviceable but underwhelming villain, lacking the charisma needed to elevate the Entity’s threat. Newcomers like Tramell Tillman as Captain Bledsoe bring fresh flair, and callbacks to characters like William Donloe (Rolf Saxon) delight longtime fans.

Technical Aspects
McQuarrie’s direction keeps the film’s complex action sequences fluid, with sharp editing to maintain momentum during multi-threaded scenes. The IMAX cinematography is breathtaking, particularly in the submarine and biplane sequences, though the film’s dark, tunnel-heavy settings can feel oppressive. Lalo Schifrin’s iconic theme is underused, replaced by a more somber orchestral score that reinforces the film’s gloomy tone. The $400 million budget is evident in the lavish production design, but some critics argue the film’s excess—both in runtime and scope—leads to diminishing returns.

Critics’ Reception
Reviews are mixed, with praise for the action and Cruise’s dedication tempered by criticism of the film’s pacing, narrative bloat, and lack of humor. Rotten Tomatoes highlights the “jaw-dropping action” and “sentimental streak” but notes the messy plotting. Roger Ebert’s review calls the first hour “clunky” and the worst in the franchise, though it recovers with impressive setpieces. The Guardian praises the “wildly entertaining adventure” but acknowledges its silliness, while the BBC labels it a “miserable, apocalyptic tract” that’s “as stupid as Hollywood blockbusters get.” On X, sentiments range from calling it the “greatest action film of all time” to a “crushing disappointment” for its self-important nostalgia.

Overall Assessment
Mission: Impossible – The Final Reckoning is a fitting, if flawed, send-off for one of cinema’s greatest action franchises. Its spectacular stunts and Cruise’s fearless commitment make it a must-see on the biggest screen possible, but its overstuffed plot, somber tone, and lack of humor prevent it from surpassing Rogue Nation or Fallout. For fans, the callbacks and emotional nods to Ethan’s journey are rewarding, but newcomers may find the self-referential narrative and nearly three-hour runtime daunting. It’s not the breeziest or best Mission: Impossible, but it delivers enough heart-pounding spectacle to remind us why we love movies.